Research and Development

Artist Spotlight: Yael Elisheva

We met up with the Dysbiosis team again for a second week of R&D at Queens Theatre Hornchurch two weeks ago. Our third spotlight is on theatremaker, physical performer, drag artist, drama facilitator and many more things Yael Elisheva. They often work in Jewish spaces and use their artistic practice as a means of examining Jewish culture and religion.

What is your relationship with nature?

In my work, I play with found objects and explore how they can be used unconventionally and with multiple purposes. I grew up observing the sabbath, which gave me a strong connection to nature and rest and play. In today’s Western society – our relationship with rest is often viewed as lazy. I’d love to challenge that and offer rest as a means of rejuvenation for our planet.

How do queerness and nature intersect?

When I first heard of different animals and plants that are constantly changing genders like oysters and mushrooms, I felt so validated in my own gender expression. 

How does your heritage influence the way you view/value nature?

As a jew, I have rituals and prayers that revolve around nature and gratitude for nature. I have been specifically interested in how the Jewish sabbath embodies an attitude of rest which allows nature to rest as well. 

Were any aspects of the project new to you (e.g. devising collaboratively, doing an R&D, working with a designer-led company) and if so, what did you expect coming in?

Dysbiosis R&D at Queens Theatre, Hornchurch

We had an amazing week developing a new project at QTH, so we should start with a huge thank you to the venue for being so welcoming and supportive. Thanks also to all the creative practitioners involved for their generosity, intelligence and imagination. Clockwise from left, in the picture above: Shakira Stellar, Fran Olivares, Tasnim Siddiqa Amin, Paul Burgess, Nuke Lagranje, Kathryn Webb, Yael Elisheva and Jo Palmer. We also had remote contributions from Zia Almos Joshua and a talk on eco-scenography from Andrea Carr. Some more creative professionals will be joining us as the project develops.

Bringing the community-building ethos and cross-cultural story exchange methodology of our East project together with the visual theatre work of director Paul and the combined art and theatre background of assistant director Tasnim, the project is a critical look at the Global North’s relationship with the more-than-human world, using a lens of queer ecology to question not only the engrained world-views of mainstream Western thought but also some of the heteronormative and binary assumptions of the environmental movement. New themes emerged during the week too, not least how folk stories and myth act as an intermediary in our relationships with Nature. But the big question for the R&D was more methodological, and goes right to the heart of Daedalus’s mission: how to bring together a multiplicity of voices to create a truly collaborative performance that can hold different styles, viewpoints and perspectives. Over the years we’ve learned a lot about what works and what doesn’t, but we also know that every project is different, and it’s exciting to start the journey of finding what’s right for Dysbiosis.

Dysbiosis: Call for Creative Practitioners

A paid opportunity to be part of an exciting new project!

We’re seeking a range of creative practitioners – from performers and theatre-makers to artists and filmmakers – to be part of making our next production. This is an opportunity to join the research and development process for a new theatre project exploring our relationship with nature. Dysbiosis (working title) will examine topics including the language we use to speak about nature, the Global North’s relationship to the natural world and queer ecology. It will also investigate greener ways of making theatre, partly building on the ideas of Ecostage.

We’re looking for practitioners to join us at Queens Theatre Hornchurch for part or all of the week of 27th March. We particularly encourage people from Outer East London and South Essex to apply. We’re interested in people from all backgrounds and at all stages of their professional careers, though experience in devising would be beneficial. We can pay artists £175 per day pro rata up to a maximum 5 days.

In the same room!

A couple of weeks ago, Sef, Shamim and Paul had their first planning session and rehearsal since the Spring lockdown. It was great to get started on the work we’ll be doing as a result of our crowdfunding campaign. It was great too be in the same room for the first time in many months…So we’d like, once again, to take this opportunity to thank our donors: thank you!

Once the project is fully underway we’ll be working online. Any further social distancing or lockdown measures won’t then be a problem. In fact, that’s the whole point of this project! But… the second lockdown has kind of caught us before we were quite ready for that. We are persevering, nonetheless, and hope to to share the first story with you soon.

There’s a lot more to look forward to. We’re very excited to be working with theatre-maker and BSL intepreter Laura Goulden. Poet Stephen Watts popped in to discuss a possible collaboration. And we’ll be putting out a call for community members to join us and be coached online in storytelling. So do please watch this space!

Stand up now, Diggers all!

After an amazing few months, with a commission from Ovalhouse, followed by performances at Brixton City Festival, and then a residency at Queen Mary uni to develop ways to work with locals to create a bespoke version of the show in each place we visit, here we are, running the whole thing, tea party and all, for the public, for the first time, on our home ground of Tower Hamlets.

And breathe.

Frankly, we couldn’t be more excited.

Booking and info here: https://poplarunion.com/event/gerrard-winstanleys-true-and-righteous-mobile-incitement/

Facebook event here: https://www.facebook.com/events/2094865110749439/

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Mobile Incitement in Tower Hamlets!

Following our residency at Queen Mary University of London, we’ll be sharing our Tower-Hamlets-specific version of Gerrard Winstanley’s True and Righteous Mobile Incitement Unit both on campus (22nd March) and at Poplar Union (6th May), a great new venue in the borough.

Supported by Queen Mary and produced in partnership with Rua Arts, Mobile Incitement brings together songs and texts from 600 years of English rebelliousness, along with new material from the band, new writing by Alex Swift and the cast, material from East London residents, and the Mobile Incitement Unit itself – a portable installation by Andrew Bannister.

This is part of an ongoing project, initially a commission from Ovalhouse, in which we and The Black Smock Band join forces with local people (and of course the C17th radical Gerrard Winstanley) to create a series of uniquely local gig-theatre performances, retelling England’s neglected history of protest and dissent, and, in each place we visit, asking what it all means to people today.

We’ve been working at Queen Mary with theatre-maker Ali Campbell and some of his students to develop democratic, open ways to shape the piece so it reflects their concerns of local people, and their sense of history, as well giving us a chance to hear their stories. Since we imagine there can be no revolution without tea – at least not in England – we’re doing this through a series of tea parties. (Big thanks to Magic Me for helping us connect with people in the Tower Hamlets area!) If you’re coming to the Poplar Union performance, we’d like to invite you to come to the last of the current series of parties and share your thoughts on East London life, along with optional placard-making and protest-song writing.

22nd March, 3pm at Arts One, on Queen Mary’s Mile End campus. There’s a Facebook event here. It’s free but you need to reserve your place in advance via Ticketsource here

6th May, at Poplar Union. Info and booking here. There’s a tea party at 1pm and a performance at 3pm. There’s a small fee for the performance, but it’s free if you come for the tea party and help us create a bespoke, local version of the performance. There’s also a Facebook event here.

We hope to see you there! We’re especially excited to be doing this piece in our home borough of Tower Hamlets, surely one of the most rebellious and dissenting areas of the country. It’s going to be special!

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Mobile Incitement: A Call for Crowdfunding

Help us tell the real story of our country’s history…

With politicians across the world trying to twist history to serve their own ends, we, the people, need to tell our own stories. That’s why Daedalus Theatre Company and The Black Smock Band are working with Ovalhouse Theatre, students at Queen Mary, University of London and local residents wherever we vist, to develop an exciting new project: Gerrard Winstanley’s True and Righteous Mobile Incitement Unit.

Part gig, part theatre, part political meeting, part public participation project, it will tour the country with songs and stories of dissent and rebellion… and an invitation to speak up and get involved. There’ll also be a website where we and the public can share ideas, texts and songs, and discuss England’s radical past, present and future.

Developed over the last few years under the working title of The Radical History Project, the piece centres on the Mobile Incitement Unit, a kind of portable, interactive installation, containing an archive, props and costumes, materials for making placards and writing protest songs, a miniature field for enacting land rights issues, tea-making facilities and much more besides. But we need to crowd-fund £2,000 to build it.

Please consider making a donation. Everything helps, however small! And, unless you want to be anonymous, you’ll be credited as a funder (or a sponsor for amounts over £250).

Go on, click the button below. You know you want to.

Visit our charity page on BT MyDonate

Thank you!

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R&D

We had such a great week of R&D (radicalism & dissent), working on Gerrard Winstanley’s True and Righteous Mobile Incitement Unit with The Black Smock Band and Gerrard himself, who kindly joined us from the C17th.

A massive thank you to Ovalhouse. And thanks to the team: Alex Swift, Andy Bannister, Dan Cox, Maeve O’Neill, Matt Beattie, Paul Burgess, Rhiannon Kelly and Sarah Jeanpierre.

Things are taking shape. Lots more to come…

 

 

The Project Formerly Known as Radical History

GERRARD WINSTANLEY’S TRUE AND RIGHTEOUS MOBILE INCITEMENT UNIT is the name for the collaborations with The Black Smock Band that we were developing under the working title of The Radical History Project.

There’s a project page here, plus there’s loads more info to come as we put the project together… In the meantime, we made a little video about it.